How do you make your readers care about your characters? Is there some foolproof way to do that? If so, whatโs the secret?ย
Jim posted this questionย on my “Ask A Question For My Blog” page:
Whatโs the best way to include background info on a character in the first few chapters so readers will care about him or her?
Randy sez: Making your readers care about your character is extremely important. If your readers care, theyโll probably keep reading. If they donโt care, they probably wonโt.ย
Is Backstory the Answer?
Itโs easy to think that telling your reader the characterโs backstory is the magic ticket. After all, if your readers know your characterโs whole life story, wonโt they want to know how things turn out?
Yes, probably. But the problem is that your characterโs whole life story is long, and your readers are impatient. They want to see whatโs happening right now. Your reader wonโt care about your characterโs backstory until theyโve emotionally committed to the frontstory.
If telling the backstory isnโt the answer, then what is?
The Short Answer
The short answer is that you need to make your readers relate to your characters. But thatโs not a very good answer, because it doesnโt explain how you do it.ย
Weโll get to the long answer in a bit, but first, letโs look at an example of a best-selling novel that highlights how hard it is to make your reader relate to your characters. Letโs look at the novel Enderโs Game, by Orson Scott Card.
Ender Wiggin, Boy Genius
Ender Wiggin is a six-year-old boy genius. He is scooped up by the government and sent to an orbiting battle school where heโs going to be trained to command an interplanetary fleet of starships in a desperate bid to save the human race from being destroyed by an alien race that’s already on its way to planet Earth.
Can you relate to Ender? Is your life like his in any possible way?
If youโre thinking no, then you can see why this is hard.ย
So how does Orson Scott Card make you relate to Ender within the first few pages?
By putting Ender in a situation everybody can relate to.
Enderโs First Two Scenes
In the very first scene, which only lasts two pages, Ender has a painful medical procedure. Everyone can relate to that. So the reader is quickly on Enderโs side. The procedure doesnโt go well, but Ender muddles through. If all scenes were like this one, readers would relate to Ender, but they wouldnโt care that much about him. Because so far, Ender hasnโt shown how to rise above his hard situation. But the next scene is different.
In the second scene, Ender is ganged up on after school by a group of bullies. Everyone can relate to that. But this scene doesnโt end the way a bullying scene usually ends. Most people get beat up by the bullies. Ender isnโt most people. Ender fights backโand he wins. Partly by luck. Partly by being clever. Partly by bravado. And partly by pure desperation. The point is that Ender finds himself in a hard situation that most people can relate to. And he shows how to win.ย
That, I think, is the secret to why so many readers care about Ender. Even readers who arenโt six years old. Even readers who arenโt geniuses. Even readers who will never go to battle school, command a starship fleet, or fight aliens.ย
But all readers have faced an uphill battle against bullies. And they want to believe that thereโs a way to win. Within just a few pages, the reader knows that Ender can win. And the reader is on Enderโs side. In the rest of the book, Ender goes on to face bullying that grows exponentially harsher. At each level, he grows and becomes tougher.
The reader wants to live Enderโs life. The reader wants Ender to show how to fight the bullies in the toughest situations imaginable.
The reader cares about Ender.
In Summary
If we can boil this all down to two main points, we have these:
- Put your character in a hard situation that your reader can relate to.
- Show your character responding to that hard situation in a way that gives the reader hope.
Once youโve done that, your reader will care about your character. And the reader will even care about your characterโs backstory.
If you’ve got a questionย you’d like me to answer in public on this blog, hop on over to my “Ask A Question For My Blog” page and submit your question. I’ll answer the ones I can, but no guarantees. There are only so many hours in the day.
Amanda H. says
Great to see a new post!
I don’t think I’ve seen your second summary point given by any other writer. Thanks for the food for thought!
Archer Collicott says
The two best books I’ve read that helped me, personally, were Bird by Bird by Anne Lamott and Writing the Breakout Novel by Donald Maass. The later probably won’t help you as much as it did me if you don’t plan on ever publishing, though.
Mackenzie says
Thanks, Randy! I always appreciate that you give examples, since that’s the way I learn best. Learning to apply these tips by “imitating” others has been my favourite way to learn.
Jessica says
Great, then that was the right decision on that previous revision. xP Instead of doing the usual “I’m gona’ dump all this backstort right on the first page.” I held off waiting for the right spot. (I read lots of writing articles; why don’t the other writers on writing platforms do the same? ๐คจ)
It need to be in a calm moment, it need to have all three characters together (Protog., main and side) and putting it in need to make logical sense.
Thanks to you I have another reason for when, how, and why to put it in. *Cheers*
I’m having a problem though I can’t find any articles with tips or how to guides that give deffinate
Jessica says
Oops! Sorry, I didn’t finish that comment (had a phone call.)
“Iโm having a problem though I canโt find any articles with tips or how to guides that give deffinate”
Way to truly show a flashback or backstory. So came up with using the keywords(?) that are subtle (I think I’m being subtle, am trying here.) Then as she’s already having a conversation with Parcival about the main antagonist I lead that to ease her into showing a flashback by welp, a mini short story with her as a child (it had go back that far because that’s the how and why she’s in trouble in the first pace.
Sorry if that’s confusing I can’t remember the terms and what I’m doing, I don’t know its writing term yet. Here a short example:
He put the chopsticks across the bowl. His eyebrows deepened. “Go ahead.”
A soft whiff of pine and mountain air came through the screens, for the moment this felt so much like home. She clutched the fabric, it was almost as soft as grandmoas quit. She pulled in two deep breaths and began.
####
Mommy and Daddy always had that scent lingering on them when they came back from their missions. It wasn’t fair. She got up and tip-toed from her room to peek behind the table in the main room. Annie Jasper snored in the chair by the window. Good. After a bit, she stretched outside breathing in the cool air. Today’s the day! I’ll get it done right. Then maybe Mommy will let me go with next time.
So is this a horrible idea? Doing it this way have a term?
I plan kn keeping this as short as possible. The traumatizing event that happened to her parents, the huge burden the Protog. has to carry, the near collapse of their forum of government, and the disaster that connects them all. Hum seeing that typed out now shows how big that is. Maybe I can do it jn parts that matter to what’s going on in that current chapter?
Getting a headache now.
If you can help by linking anyarticles or books I’d appreciate it as am running around in circles trying to get advice for this. Thank you!
Jessica says
My apologies, I keep making typos in the comment, sorry if that’s hard to read. I do way better when actually writing for some reason.